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Privacy policy

William Golding Limited Privacy Policy

This privacy policy sets out how William Golding Limited uses and protects any information that you give it when you use this website.

William Golding Limited is committed to ensuring that your privacy is protected. Should we ask you to provide certain information by which you can be identified when using this website, then you can be assured that it will only be used in accordance with this privacy statement.

William Golding Limited may change this policy from time to time by updating this page. You should check this page from time to time to ensure that you are happy with any changes. This policy is effective from 18 July 2010.

What we collect

We may collect the following information:

  • name and job title
  • contact information including email address
  • demographic information such as postcode, preferences and interests
  • other information relevant to customer contacts and correspondence

What we do with the information we gather

We require this information to understand your needs and provide you with a better service, and in particular for the following reasons:

  • Internal record keeping.
  • We may use the information to improve our products and services.
  • From time to time, we may also use your information to contact you for market research purposes. We may contact you by email only. We may use the information to customise the website according to your interests.

Security

We are committed to ensuring that your information is secure. In order to prevent unauthorised access or disclosure,we have put in place suitable physical, electronic and managerial procedures to safeguard and secure the information we collect online.

How we use cookies

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We use traffic log cookies to identify which pages are being used. This helps us analyse data about web page traffic and improve our website in order to tailor it to customer needs. We only use this information for statistical analysis purposes and then the data is removed from the system.

Overall, cookies help us provide you with a better website, by enabling us to monitor which pages you find useful and which you do not. A cookie in no way gives us access to your computer or any information about you, other than the data you choose to share with us.

You can choose to accept or decline cookies. Most web browsers automatically accept cookies, but you can usually modify your browser setting to decline cookies if you prefer. This may prevent you from taking full advantage of the website.

Links to other websites

Our website may contain links to other websites of interest. However, once you have used these links to leave our site, you should note that we do not have any control over that other website. Therefore, we cannot be responsible for the protection and privacy of any information which you provide whilst visiting such sites and such sites are not governed by this privacy statement. You should exercise caution and look at the privacy statement applicable to the website in question.

Controlling your personal information

You may choose to restrict the collection or use of your personal information in the following ways:

  • if you fill in a form on the website, look for the box that you can click to indicate that you do not want the information to be used by anybody for direct marketing purposes
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We will not sell, distribute or lease your personal information to third parties unless we have your permission or are required by law to do so. We will not use your personal information to send you promotional information about third parties.

You may request details of personal information which we hold about you under the Data Protection Act 1998. A small fee will be payable. If you would like a copy of the information held on you please contact us at office@william-golding.co.uk.

If you believe that any information we are holding on you is incorrect or incomplete, please email us as soon as possible at the above address. We will promptly correct any information found to be incorrect.

 

 

'Scenes From a Life' (ca. 1992)
There are several autobiographical accounts written during and just after the war. Then in the early 1960s Golding wrote the two essays about his childhood 'Billy The Kid' and 'The Ladder and the Tree' (both published in The Hot Gates (1965). In the mid-1960s he wrote an unpublished account of his relations with women, a process which led him to write his novel The Pyramid (1967). Then from 1971 onwards he kept a daily journal, as yet unpublished. Its last entry is the evening before
his death.
In the last few years of his life Golding began to reflect on his very early childhood in an account he called 'Scenes From a Life'. Part of this has been published in Arete (Issue Two, Spring-Summer 2000). Golding was particularly interested in the distinction between memory and imagination, and throughout this account he attempts to separate these processes. He is aware that his story-telling eye can 'see' more than actually happened.
Internal evidence suggests that 'Scenes' was written in 1992. The opening of his last novel The Double Tongue has a close relationship with the opening of 'Scenes'.
Copyright © William Golding Limited 2002
Extracts from "Scenes From a Life"
It was awareness, I think, unadulterated sense of self, so pure it had neither time nor motion
nor process. It was not thought for that implies connection of one state of awareness with a
similar state before or after. There may have been colour. On the other hand I may be
colouring a memory as one does. But if so there is little I can do to get beyond a memory.
Oh yes I can! There are two memories, one monochrome, black and white, or rather nonlight,
i.e. strange darkness, not like darkness now, but related, as slate is to ebony. That
surrounds the light which is dull. The other is primary. It is more important, more living,
and so for those reasons, and qualities I decide that it is earlier though in the time sense they
occupy the same bit of time, or alternatively are outside time. There was colour, red mostly,
but everywhere, and a sense of a wind blowing, buffeting, and there was much light. It is
hard to stop myself importing a sense of glory to the experience; but the bare fact is that the
fact was bare of all but colour, brightness and buffet. There was no distance and there were
no shapes and of course something else was present, the awareness. Was that sufficiently
developed to call it "I"? I do not think so. It, the awareness, did not recognise time, though
time passed since there was movement in the colour.
Copyright © William Golding Limited 2002
I remember I could read but I don't remember how old I was when I learnt. I remember
knowing how to read and knowing too that my parents were not aware of my ability. I tried
to tell them but could not get through to them or convince them, so I went off, puzzled, and
continued reading. I don't know whether I was preposterously young for that skill or not. It
would have been easy for me to learn early since there was a difference of about a yard
between me and anybody else and I had to entertain myself. Many years later when Ann my
wife came with me to share some leave or holiday, she proposed to my mother (I think it was
Christmas) that we should play a game of some sort, charades perhaps. But my mother said,
grimly and sadly "You don't understand this family my dear. The four of us usually spend
Christmas in separate rooms." It was a shock to Ann, who as one of ten children was used to
a tribal life. So I must have learned in the awareness of my own solitude that reading was a
sort of companionship.
Copyright © William Golding Limited 2002
[Later in his childhood]
I swung the bat in a semicircle, missed the ball but hit José with the wooden bat across the
side of the head. Instantly he turned and ran for home, one hand holding the side of his head.
I was the one who made a noise, anguished to think of the awful thing I had done. But he
made not a sound. He always was the silent one. I trundled after him, whimpering and
wondering what I should tell mam and dad, or what he would.
I trundled back across the Common and down the road to the Green, my fears growing
deeper. I can just remember them. I ended at the house, terrified and now as silent as my
brother. I remember no more. But years later my parents told me that José had described the
whole scene to them. He wasn't really hurt they said. But I crept in to the house with my
terror and hid from everyone else under the dining room table.
Copyright © William Golding Limited 2002